A Companion to the Works of Friedrich Schiller (Studies in by Steven D. Martinson

By Steven D. Martinson

Friedrich Schiller isn't really in simple terms considered one of Germany's ultimate poets. he's additionally one of many significant German individuals to global literature. In Germany, Schiller celebrations and commemorations nonetheless play a job within the formation of public opinion, and the timeless phrases he gave to characters corresponding to Marquis Posa in Don Carlos and Wilhelm inform within the eponymous drama proceed to underscore the necessity for human freedom. Schiller cultivated desire within the actualization of ethical wisdom via aesthetic schooling and significant mirrored image, resulting in his excellent of a extra humane humanity. even as, he was once totally cognizant of the issues that attend a variety of kinds of idealism. but for Schiller, eventually, love continues to be the gravitational middle of the universe and of human lifestyles, and past existence and dying pleasure prevails. This number of state-of-the-art essays by means of the various world's major Schiller specialists constitutes a milestone in scholarship that's rather well timed in view of the 2 hundredth anniversary of the poet's loss of life in 2005. particular realization is given to either the paradigm shifts in Schiller's paintings in its improvement over the years and the indelible imprint of the early writings on his later works. The participants additionally stay delicate to the a number of degrees on which the poet was once operating. the quantity comprises in-depth discussions of Schiller's significant dramatic and poetic works, his essays on aesthetics, and his actions as historian, anthropologist, and physiologist, in addition to of his relation to the ancients and of Schiller reception in twentieth-century Germany. members: Steven D. Martinson, Walter Hinderer, David Pugh, Otto Dann, Werner von Stransky-Stranka-Greifenfels, J. M. van der Laan, Rolf-Peter Janz, Lesley Sharpe, Norbert Oellers, Dieter Borchmeyer, Karl S. Guthke, Wulf Koepke.

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Simm, Hans-Joachim, ed. Insel-Almanach auf das Jahr 2005. Friedrich Schiller Zum 200. Todestag. Frankfurt am Main/Leipzig: Insel, 2004. Sokel, Walter. “Die politische Funktion botschaftsloser Kunst. ” In Revolution und Autonomie: Deutsche Autonomieästhetik im Zeitalter der Französischen Revolution. Ein Symposium, ed. Wolfgang Wittkowski, 264–72. Tübingen: Max Niemeyer, 1990. Sulzer, Johann Heinrich. Dr. Sulzers Abgekürzte Geschichte der INSEKTEN: Nach dem Linaeischen System. 2 parts. Winterthur: H.

8:815). Schiller argues that all material inclinations and raw desires that have opposed the exercise of what is good are dispersed through taste. In their stead, art plants nobler and softer inclinations that encourage order, harmony, and perfection. Art promotes the “Legalität unsers Betragens” (8:819). Hence, it cannot be divorced from reality; on the contrary, it informs and reshapes it. 14 STEVEN D. MARTINSON It is not coincidental that justice and atonement are two of the golden threads that link Schiller’s writings, in drama (Die Räuber and Maria Stuart), prose narratives (Der Verbrecher aus verlorener Ehre), and poetry (“Die Kraniche des Ibykus” [The Cranes of Ibycus]).

2 parts. Winterthur: H. Steiner u. , 1776. Ugrinsky, Alexej, ed. Friedrich von Schiller and the Drama of Human Existence. New York: Greenwood Press, 1988. Werner, Charlotte M. Friedrich Schiller und seine Leidenschaften. Düsseldorf: Droste, 2004. Wolzogen, Caroline von. Schillers Leben, verfaßt aus Erinnerungen der Familie, seinen eigenen Briefen und den Nachrichten seines Freundes Körner. 2 parts in 1 vol. Stuttgart/Tübingen: J. C. Cotta, 1830. Zeller, Bernhard. Schiller: Eine Bildbiographie. Munich: Kindler, 1958.

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