A Muse and a Maze: Writing as Puzzle, Mystery, and Magic by Peter Turchi

By Peter Turchi

With his attribute expertise for locating connections among writing and the stuff of our lives, Peter Turchi ventures into new or even extra astonishing territory. In A Muse and a Maze, Turchi attracts out the similarities among writing and puzzle-making and its flip-side, puzzle-solving. As he teases out how secret lies on the middle of all storytelling, he uncovers the magic—the construction of credible illusion—that writers percentage with the likes of Houdini and grasp magicians. In Turchi’s associative narrative, we find out about the historical past of puzzles, their obsessive caliber, and that Benjamin Franklin was once a devotee of an historical precursor of sudoku known as Magic Squares. utilising this wealthy backdrop to the necessities of writing, Turchi unearths as a lot in regards to the human psyche as he does concerning the literary mind's eye and the artistic process.

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Extra resources for A Muse and a Maze: Writing as Puzzle, Mystery, and Magic

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The biochemists enlisted help from the university’s Center for Game Science to turn protein creation into an online puzzle video game called Foldit. The website includes some introductory information, but no background in science is necessary. Given a few basic rules, the user—the player—is invited to solve a series of puzzles, which progress in difficulty. The puzzles are designed to teach protein-building strategies, and are constantly revised in order to do that more effectively. Users can then move on to more complicated tasks, competing with players around the globe.

But Ahmes writes that he is copying an “ancient text”; the content is assumed to be a few hundred years older. In addition to a study of fractions, it includes a variety of problems, or puzzles, with practical applications. While those of us who solve puzzles might feel compelled to hide our book and pencil under the sofa when company comes, or to laugh nervously and say something about “wasting time,” Magic Squares were once considered to have powerful mystical qualities, and were carried as talismans to ward off evil.

Night with Terraces, by Charles Ritchie These constraints can be amended, bent, or even ignored whenever he chooses; but as general guidelines, they have provided the form for his art. His constraints are not necessarily evident to a viewer of the work, any more than the constraints that went into the creation of an equitable workshop are evident to the student in the workshop. The viewer of one of Ritchie’s images has no need to know what informs the choices he’s made. From the artist’s perspective, the purpose is to provide boundaries, a container for creative expression.

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